
Photo albums about my hometown, Minsk, are my weakness. I try to buy almost every one that comes into my sight. So when the book From Panikovka to the Puck came out in December, I managed to order it through friends.
The book was “written” by the same authors who previously produced the biography of the Belarusian band Neuro Dubel. This time, they set out to show where and why the city’s youth hung out in the 1990s — what those places with names like “Panikovka” and “Puck” were, and what actually went on there. I put the word “written” in quotation marks because there’s hardly any real authorial text here. It’s mostly a collection of photographs and quotes — memories from various “scene” regulars of the time — with only very brief introductions by the authors here and there.
Unfortunately, the selection of respondents is very limited. Some are well known to many Belarusians, but most belong to a very narrow circle of people few have ever heard of — mostly the so-called bohemia: musicians, journalists, DJs, artists.
The book gives a certain snapshot of that era. After reading it, you’re left with the aftertaste of those years. At the same time, there are several issues that kept the book from meeting my expectations. Roughly speaking, they fall into two categories: the “places” described and the people chosen to comment on them.
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