Tag: biography

Book: Natalia Gromova “Evgeny Schwartz: The Fate of a Storyteller in the Age of the Dragon”

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It’s interesting that Evgeny Schwartz’s name isn’t all that widely known. But his plays and the films based on them are another matter entirely. What’s more, they’re known far beyond the borders of the former Soviet Union, as his works were staged not only in the countries of the former Warsaw Pact. There have been theatrical productions and film adaptations in West Germany, the US, France, the UK, and other countries.

If his name still doesn’t ring a bell, let me just name some of his best-known works: “The Dragon” (adapted into the Soviet film “Kill the Dragon“), “The Shadow,” “The Tale of Lost Time,” “The Naked King,” “An Ordinary Miracle,” and others. If you’re from Eastern Europe, you’ve almost certainly heard of at least one of them.

I love his plays, and I’ve often wondered how works like these could ever have been published and staged in Soviet times. Because they raise questions that are anything but simple, and behind the fairy-tale facade, the allusions to the Soviet tyranny of those years are quite recognizable.

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Book: Nikolai Voronovich “The Russo-Japanese War: Memoirs”

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The Russo-Japanese War of 1904–1905 was a huge failure for Russia, practically a disgrace. It also exposed a host of internal problems, helped fuel the 1905 Revolution, and set in motion events that, twelve years later — after the failures of World War I — led to the collapse of the entire Russian Empire.

But I hadn’t really come across many books about that war, and then I suddenly spotted the memoirs of one of its participants. Nikolai Voronovich began his military career in the Page Corps, where he studied quite well, but at some point he ran off in search of glory and adventure to the Russo-Japanese War as a volunteer. He didn’t get much adventure, especially since he only reached the war closer to the end, when the grim outcome was already a foregone conclusion. Still, even in that period he managed to earn a St. George Cross; after returning, he was reinstated in the Page Corps (though only after nearly a month in the guardhouse for his escape), graduated with honors, and would have continued climbing the military ladder, but… World War I, the Revolution, the Civil War on the side of the “Greens,” and then emigration.

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Mosab Hassan Yousef “Son of Hamas”

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Hamas hasn’t left the news cycle—both in a negative light and, from pro-Palestinian quarters, in a positive one. Yet back in 2010 a book came out about the organization that shows it from the inside—and hardly in a laudatory vein.

It’s called Son of Hamas, and with good reason: it was written by Mosab Hassan Yousef, the son of Sheikh Hassan Yousef, one of the seven founders of this Palestinian group. The eldest child in his family, Mosab was raised fully in line with Hamas policy. At 18 he was arrested by Israeli law enforcement for attacks on Israeli soldiers. About a year later he was released and for a long time became his father’s trusted aide.

Only no one knew that from that moment he spent nearly ten years working for Shabak (Shin Bet), Israel’s security service. During that time he managed to prevent numerous terrorist attacks and save many lives on both sides. He helped in the arrest of high-ranking Hamas operatives, and in 2007 he left the Middle East; three years later he was granted political asylum in the United States—something that required Israeli services to officially reveal his identity.

Mosab renounced Islam and in 2005 was secretly baptized in Tel Aviv. Since then he has been an outspoken opponent not only of Hamas but of Islam as a whole.

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Book: Boris Akunin “My Calendar”

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At one time, I really enjoyed Boris Akunin’s collections of short essays on various fascinating facts—“The Life of Remarkable People and Animals“ and “The Un-Chekhovian Intelligentsia.” Both were “compiled” from different short posts the author had originally published on his LiveJournal. In a similar fashion, he occasionally shared notes about specific days of the year—highlighting interesting events that had happened on that particular date.

Of course, almost any day you pick from the calendar has seen at least something noteworthy happen somewhere in the world throughout human history. So, in the end, it would be possible to gather an entire calendar of such notes. And that’s exactly what Boris Akunin did when he released his book “My Calendar.”

However, he set a rule for himself: for almost every day, he tries to choose just one event—the one he finds most interesting—and tells its story, whenever possible, backing it up with photos or illustrations. He then wraps up almost every “day” with an optimistic message. He does this so that the book can be used like a tear-off calendar—you wake up, read about the day in the morning, get some encouraging words, and ideally, the day should go well for you.

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Book: Raphaël Lucas “The History of The Witcher”

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The Witcher is one of the few Eastern European franchises to achieve worldwide fame and recognition. In his book, Raphaël Lucas set out to tell the story of how this franchise came to be.

I know that many fans of both the games and Andrzej Sapkowski’s literary original were thrilled when this book was announced. It quickly became a coveted gift for any occasion. I’ve read the main saga (except for the later novel that stands somewhat apart) and played through all three games in the series adapted by CD Projekt RED. My feelings toward the books are lukewarm, which has earned me the disapproval of some of my more fervent fan friends. Among the games, I especially highlight the third one, where the developers clearly sold their souls to the devil (and I say this with firsthand knowledge of what it takes to create games).

That said, I’m always interested in reading about how such iconic products come to life, especially from industry peers, so it didn’t take long for me to pick up the book—luckily, it’s not very long.

While expecting a comprehensive overview of the franchise, I knew this wouldn’t just be about the games (even though the cover prominently features a poster from the third installment). However, the author started from an even earlier point.

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Book: Alexander ‘Balu’ Balunov “Korol i Shut: Between Kupchino and Rzhevka…”

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In my previous post, where I discussed the TV series The King and the Jester (Korol i Shut), I mentioned that the show largely adheres to the real history of the band. I was able to compare the fiction with real-life events thanks to the memoir of one of the band’s creators and long-time members—Alexander Balunov, known by the nickname “Balu.”

Balu has written several books, and I decided to read his very first one, published in 2016: Korol i Shut: Between Kupchino and Rzhevka…

The book is a collection of memories about the creation of each of the band’s albums, various episodes from their lives, the members of the golden lineup, and, of course, the two main leaders—Mikhail “Gorshok” Gorshenev and Andrey “Knyaz” Knyazev. Although Balu is the primary narrator, for many chapters he brought in other contributors, including Knyaz, violinist Maria Nefyodova, Alexey Gorshenev (Gorshok’s brother), and even their mother.

Balu made the book interactive from the start. The print version includes numerous links (in the form of QR codes) to audio fragments he references throughout the narrative. These links were intended to direct readers to Balu’s personal website—kroogi.com. However, the site is no longer functional, meaning these links now lead nowhere. But Balu also created an audiobook version, which he narrates for the most part, occasionally enlisting actors to help. This audiobook is completely free and available on the author’s YouTube channel. There, you can either listen to the entire book (though without the photographs included in the text version) or access the mentioned audio fragments directly: the audiobook on YouTube (with audio fragments matching the book chapters exactly).

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TV Series: “The King and the Jester” / “Korol i Shut”

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I don’t think I’ve written long, thoughtful posts about TV series before. But it’s been months now, and I’m still under the impression of this one—so that must be a sign: I need to speak up.

The story of the band Korol i Shut (The King and the Jester) officially begins in 1988 in the city of Leningrad (now Saint Petersburg) when three classmates—Mikhail “Gorshok” Gorshenev (“Gorshok” in Russian means “pot”), Alexander “Poruchik” Shchigolev (“Poruchik” means “lieutenant”), and Alexander “Balu” Balunov—decided to form a band, initially naming it Kontora (it can be translated as The Office but mostly refers to KGB, I think). However, in 1989, Gorshok met Andrey “Knyaz” Knyazev (“Knyaz” is “Duke”) at a restoration school where they later interned together. They became friends, and Gorshok was deeply impressed by Knyaz’s drawings and lyrics in the style of dark fairy tales. This led to Knyaz joining the band, which a year later adopted its final name, Korol i Shut (The King and the Jester). Knyaz’s depiction of a jester became the band’s iconic emblem, and over the years, the jester in the logo began to resemble Gorshok more and more.

I’m not an expert in music genres, but the band’s work has been described as horror punk, folk punk, and rock. I discovered them around 1998, when their music video Yeli Myaso Muzhiki (Men Were Eating Meat) started airing on various music TV channels. It was a blend of horror, dark humor, and memorable punk rock riffs:

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Book: Reed Hastings, Erin Meyer “No Rules Rules: Netflix and the Culture of Reinvention”

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It seems that every large (or simply well-known) company has its unique culture, which is also considered the only correct and successful one. We are all unique, after all. However, the concept of “correctness” and “success” is highly subjective. Yet many want to showcase that they achieved success solely because of their approaches (and that others, therefore, succeeded despite theirs).

First, there was the remarkable book Creativity, Inc. by Ed Catmull about the culture at Pixar. Then came the very loud, but completely unappealing to me, Principles by Ray Dalio. Finally, I reached No Rules Rules by Netflix CEO Reed Hastings, who co-wrote this book with Erin Meyer. I frequently recommend Meyer’s The Culture Map almost every time someone asks me about the best books.

This book, like many others, was highly praised by my colleagues, receiving the highest ratings. However, I always strive to form my own opinion rather than follow the masses. I read it. And it took me quite a while to gather my thoughts and finally write my review. This is because it is one of the most controversial books I have read in the past several years.

On the one hand, I will definitely recommend it. On the other hand, I had comments like “interesting, but there are nuances” for nearly every chapter. This is because, as usual, I tried to apply all the described approaches to myself as a manager and to the companies I have worked for. And here, as they say, things became far less straightforward.

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Book: Garik Korogodsky, “How to Spend a Million You Don’t Have”

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Since childhood, I’ve had a weakness for beautiful books. I might not even read them, but I’ll buy them just for their beauty (although lately, I’ve been buying more electronic ones).

That’s how Garik Korogodsky’s book first caught my attention — because of its design. I had no idea who this Korogodsky was, but the book sitting on my friends’ shelf simply demanded that I reach for it. And once I read the subtitle “and other stories of a Jewish boy,” its fate was sealed (I guess I have a genetic affinity for stories about Jewish boys). Interestingly, the book came to my friends from the previous owners of their apartments, and my friends hadn’t read it themselves.

First, a few words about the author. Garik Korogodsky, born Grigory Davidovich Korogodsky, has always been called Garik within his family. However, in the USSR, they didn’t want to put such a name on his birth certificate (I had a similar situation with my mom). Garik is a Ukrainian businessman and philanthropist, a dollar millionaire.

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Book: Boris Akunin “The Destruction and Resurrection of the Empire”

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Originally, when planning his series on the history of the Russian state, Boris Akunin intended to stop at 1917, with the fall of the Romanov dynasty, as he believed that beyond this point, it was no longer the history of the Russian state but of an entirely different country.

However, some time after completing the series, he unexpectedly announced the release of the 10th volume covering the Lenin-Stalin era. Moreover, this volume became the first that was not published in Russia, as when the book was almost ready for print, Boris Akunin was declared a terrorist in Russia, closing off access to publishing in his homeland. So the book was printed abroad.

While the revolution and the last tsar always felt distant to me, despite having lived during the Soviet Union, the events of the Soviet state itself were always closer. I studied this history in school and believed that I lived in the best country in the world. Therefore, I was very eager to see how Boris Akunin would recount this period.

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