Tag: mystery

Book: Vayner brothers “The Age of Mercy”

No comments

Ever since childhood, I’ve loved watching detective stories on TV. Later that hobby spilled over into books too (I wore my Sherlock Holmes volumes out back in that same childhood). And among detective stories, I always singled out films and series about the Soviet police fighting the criminal underworld. You can’t not mention epic staples like The Experts Are Investigating and Born by the Revolution.

But one particular favorite for viewers was the four-part 1979 TV film The Meeting Place Cannot Be Changed, directed by Stanislav Govorukhin and featuring a wonderful cast. Vladimir Vysotskiy brilliantly portrayed the tough Moscow Criminal Investigation Department detective Zheglov, while Vladimir Konkin played the very young Volodya Sharapov, who joined the force right after the war, where he had commanded a reconnaissance unit. For Konkin, this role was probably the most significant in his entire career—he never played anything else quite as memorable. And the characters outgrew the film itself long ago—making their way into jokes, songs (like Lyube’s “Atas”), and everyday culture.

At the heart of the story is the Moscow Criminal Investigation Department’s fight against a brutal, elusive gang known as the Black Cat, which terrorized postwar Moscow.

I loved this film too. I’ve rewatched it countless times since, and every year I noticed something I hadn’t caught before, simply because I was too young back then. What’s more, as I got older, even my attitude toward the characters began to change (but more on that later).

Read more

Book: Boris Akunin “Bashō’s Frog”

No comments

Boris Akunin has repeatedly experimented with the form of his prose, incorporating interactivity in one way or another. Sometimes it was limited to links to video clips that could be opened online by scanning a code from the book; other times it took the shape of full-fledged “quest books,” where the narrative depends on the reader’s choices.

I myself am quite conservative when it comes to reading, so I prefer a straightforward novel, without all these branching paths and detours. External links didn’t appeal to me either when I encountered them before. Still, I decided to give this kind of genre another chance and read Bashō’s Frog, knowing in advance that it is built precisely around choice.

There were several reasons for that:

  • I like Akunin’s work, but I have by no means read everything he has written.
  • This book is about Erast Fandorin, my favorite character created by the author.
  • The narrators are either the Georgian Lazo Chkhartishvili or the Jewish Aron Brazinsky. Both of these colorful peoples appeal to me greatly (especially the latter, since on my mother’s side I am Jewish myself).

The choice of narrators is far from accidental. They are the great-grandfathers of Boris Akunin himself (known in everyday life as Grigory Shalvovich Chkhartishvili). He chose to construct the narrative from their perspectives, imagining how representatives of these nations might tell a story, complete with both real and invented stereotypes.

Read more

Books: A New Edition of the Erast Fandorin Series

No comments

Since Boris Akunin’s books have disappeared from sale in Russia, and new ones are no longer being printed, yet readers still want to buy the books about the legendary Erast Petrovich Fandorin, the author has launched a re-release of the entire series under his new publishing house. However, this time, the books will be slightly different. Here’s what Boris Akunin himself has to say:

This is a reissue with an addition. I have included an appendix in each book—’Deciphering’—where I talk about the origins of the plot, prototypes, and more.

In Azazel, for instance, the deciphering section begins like this: ‘This novel, the first of The Adventures of Erast Fandorin, was formed from four components. Or rather, it has four ancestors: two grandfathers and two grandmothers.

In addition to the supplemental content, this reissue features stunning artistic design. Each book will have a beautifully detailed cover, and the endpapers of all the books combine to form an image of Erast Petrovich’s iconic jade beads.

The first book of the updated edition is available for purchase on the author’s website, both in print and electronic formats: https://babook.org/store/7-ebook.

I’m so torn. It’s such a beautiful edition that I wouldn’t even mind spending the money (though my wife definitely would), but I simply don’t have any more shelf space for physical books.

“Ten Little Indians”: On the Changing Titles of an Agatha Christie Novel

No comments

Content note: This post examines the publication history of Agatha Christie’s novel and the evolution of its title and associated rhyme. To document that history accurately, it includes direct quotations of period wording that contains racial slurs. Such language is unacceptable in modern usage; it appears here only as part of quoted historical material, for context and analysis.

Today I’d like to talk a little about Agatha Christie — more precisely, about one of her most famous works, the novel “Ten Little Niggers“. In Russian, both the novel and the 1987 Soviet film adaptation by Stanislav Govorukhin are still known under the title Desyat negrityat (“Ten Little Negroes”). In Russian usage, the word negrityonok historically functioned as a neutral racial descriptor rather than a slur, which partly explains why the title remained unchanged in that cultural context.

I first encountered this work in childhood — not through the book, but through Stanislav Govorukhin’s 1987 film adaptation, released in Russian as Desyat negrityat (and often referred to in English as Ten Little Indians). I saw it a year later, while vacationing at the seaside with my parents. The film was being shown at the resort cinema, and if I remember correctly, my younger brother and I even went without our parents.

I remember how that closed-circle mystery (Christie specialized in exactly that kind of structure), combined with an excellent cast and the oppressive atmosphere of the production, made an indelible impression on me. It didn’t exactly frighten me, but it was impossible to look away as, over the course of the story, nearly all the main characters disappear one by one. And yet — what could an eleven-year-old boy, which is what I was at the time, really understand of it? Back then I looked like this (not exactly a heartthrob, of course, but still reasonably presentable):

Read more

Book: Boris Akunin “The Pit”

No comments

I haven’t read all of Boris Akunin’s work, but I’ve read a fairly substantial part of it—enough to say that the series about Erast Fandorin is probably the most significant thing the author has come up with so far.

And so, when the hero’s life path started nearing its end, true fans were very saddened. The thing is, in my view the later books in the series fell far short of the first ten. Still, they were bought and read as soon as they came out. And when it seemed like Erast Petrovich was finished once and for all, first there was Just Masa, telling the story of his constant companion, and then suddenly The Pit came out, bringing back the wonderful detective himself.

The narrative throws us into a time when Fandorin is still a long way from death, but in Russia he’s already persona non grata, so he makes his living investigating cases in Europe. For example, together with Sherlock Holmes he fights Arsène Lupin. Yes, that story appeared earlier in the collection Jade Rosary Beads, and now the author takes us back to the very end of that investigation to tell us what happened next to our heroes.

Read more

Book: Boris Akunin “As He Was Leaving, He Asked”

No comments

With the release of the novel As He Was Leaving, He Asked, Boris Akunin has fully completed his historical cycle, in which he simultaneously told the history of the Russian state and accompanied it with works of fiction set in the corresponding historical period.

Boris Akunin concluded the history of the Russian Empire with the reign of the last tsar of the Romanov dynasty — Nicholas II. Beyond that point, in the author’s view, it was no longer the history of an empire (though recent events show that imperial history seems unwilling to let Russia go).

The fictional cycle, as I have written many times before, is essentially the story of a completely different dynasty, one that managed to traverse the entire path from the Varangian era to the Revolution of 1917. And if in the earlier works of the cycle representatives of this dynasty played a rather prominent role — sometimes even stepping directly into the spotlight (as in the novel The Fortunate Adventures and Reflections of Lucius Catin) — then in the penultimate The Road to Kitezh it was the events of the era that came to the fore, rather than one of the heirs with the telltale birthmark on the forehead. The final novel, titled As He Was Leaving, He Asked, is likewise far less focused on the last heiress of the family in the cycle.

Read more

Kirill Eskov “The Gospel of Afranius”

1 comment

Kirill Yeskov is a paleontologist, and writing science fiction and speculative literature is a hobby for him. The Gospel of Afranius is his first work, written in 1995, for which he received the “Big Zilant” award in Kazan. However, he became widely known to science fiction fans in 1999 with the release of The Last Ringbearer, which completely reinterprets the events of Tolkien’s The Lord of the Rings. I would argue that Yeskov laid the groundwork for this approach in The Gospel of Afranius.

This book is an attempt to view the death and ascension of Christ through the lens of cold logic. The “novella” essentially consists of two parts. In the first, the author tries to assess the known facts and inconsistencies in the story as we know it from surviving sources and the Bible, making it more of an analytical essay.

Read more

Uladzimir Karatkevich “King Stakh’s Wild Hunt”

No comments

It just so happens that I had never read any works by Vladimir Korotkevich (Uladzimir Karatkevich, if translated from Belarusian), even though my wife really enjoys his writing. I had been planning to for a long time, but I finally decided to start my acquaintance with the relatively short novella King Stakh’s Wild Hunt.

The novella tells the story of the main character, a collector of Belarusian folklore, who travels to distant marshy areas to find local folklore among the people. He’s kind of like Shurik from a famous Soviet film, but from an earlier time and in Belarus, not the Caucasus.

Luck smiles upon him, and he quickly learns about the legend of the Wild Hunt of King Stakh—phantom hunters who torment all the descendants of an ancient noble family. Since the last descendant is a lovely young woman, the main character decides to investigate the situation and protect the innocent victim. It’s a detective story with a blend of Belarusian motifs and constant reflections on the place of ordinary people in history. Initially, the narrative progresses slowly and measuredly, but after about a third, the pace changes, and events start to unfold more and more rapidly.

Read more

Boris Akunin “Sister Pelagia”

No comments

I really love Boris Akunin’s series about Erast Fandorin. The last few books were less interesting, but I’ve reread the early novels in the series several times. However, I had always kept the trilogy about Sister Pelagia “on the back burner.” In fact, I read the first book, Pelagia and the White Bulldog, about 6-7 years ago, but back then I had no desire to continue with the series. Now, I’ve decided to correct this, so I reread the first book and then went on to read the other two.

The most interesting part is that you can’t really say that Sister Pelagia is the main character of the series. Yes, everything revolves around her, and she’s a sort of local detective. But I’d say there are several key characters, including Pelagia, the metropolitan, and a few other residents of the town of Zavolzhsk, where the events take place.

Read more

Boris Akunin “Not Saying Goodbye”

1 comment

So, according to the author, the long story of Erast Fandorin has come to an end. He was “buried” before, like in Black City when he was supposedly shot in the head. But now, Boris Akunin has officially declared that it’s over—no more adventures. And it’s true; fifteen full novels have been released (or more, depending on how you count).

It all started with The Winter Queen, where an enthusiastic young man was fatefully drawn into a global conspiracy. Honestly, when the Erast Fandorin craze began, I was hesitant for a long time, since I don’t like following trends. But then the movie came out, and I finally decided to read it. And I was completely hooked. I binge-read everything that was available at that point and then eagerly devoured each new book as soon as it was published.

Read more