Right now, AI is stirring up fierce debates — careers are being derailed, games are being banned or stripped of awards… in short, all hell seems to be breaking loose. This will eventually calm down, though, because AI really does help get many things done faster and better. No, it won’t replace a living human being — but it can be a powerful aid.
And riding this very wave, animator Oleg Kuvaev, the creator of the legendary Masyanya, has started making videos using artificial intelligence. He has even shared behind-the-scenes fragments showing that AI is just a tool — and that there’s still a tremendous amount of work involved. But what Oleg has managed to demonstrate is how this tool, in the hands of a talented creator, can help bring yet another series of wonderful works to life.
Disclaimer: this post is mainly for those familiar with the work of legendary Soviet rock musicians. But even without understanding the words, you can still see here how songs are already being created with the help of neural networks. Of course, without the ability to compare with the original works, the perception of these songs will be quite different.
After Ozzy’s death, a wonderful picture like one above began circulating on the internet. I think if Ozzy had known who Tsoi was, he would have appreciated such a posthumous joke about himself. The text over it is says:
— And where is Tsoi? — But Tsoi lives!
Because for my generation, the phrase “Tsoi Lives” was never a meme. Viktor Tsoi is a legend — ours, our own.
And in memory of Viktor, new works keep coming out. His already famous song “Peremen!” became one of the anthems of the 2020 protests in Belarus. Viktor’s son brought together former band members and created a remarkable project with modern arrangements of the songs, over which his father’s cleaned-up voice was laid.
And with the development of artificial intelligence, people have gone even further. I once stumbled across one such song, listened to it, and forgot about it. But the other day I was shown another one — and suddenly the puzzle came together.
Recently, I was unexpectedly asked several times if I had any materials or songs from the band “Plateau.” This interest is likely due to the fact that some time ago, I wrote about my friendship with the band and later published a whole album of studio photos of them on Facebook, where I even sneaked into a few shots myself.
The thing is, the band existed from the mid-90s and effectively ceased its activities in the early 2000s. It was a very distinctive group, blending folk with ethnic motifs, and sometimes just playing cheerful and romantic songs.
In 2000, the band caught the attention of Vyacheslav Butusov, the former vocalist of the band “Nautilus Pompilius.” Together with the members of Plateau and the theater troupe “Licedei,” Butusov performed three acoustic concerts based on his album “Ovals” (one of which, by the way, took place in Minsk). These were not just concerts — they were theatrical performances under the title “Bibigonia.”
On Vyacheslav’s official channel, you can find a TV version of one of these concerts, which took place on February 25, 2000, in Saint Petersburg:
Disclaimer: Some meanings in this post, unfortunately, get lost for those who don’t speak Russian. However, I hope it will still be interesting for English-speaking readers. Thank you for reading!
Today, my wife and I went to a solo concert by Artur Smolyaninov. Artur is an incredible actor whom I first saw in one of the lead roles in 9th Company, a film about the war in Afghanistan, where his character is the only survivor after a brutal battle. Later, I remembered him from the series 9 Months, where he played almost the exact opposite—a young man who desperately wants to avoid military service and is instead assigned to alternative civilian service as a maternity nurse man in a maternity hospital.
Since then, I’ve seen him in many roles, and I’ve always enjoyed his performances. In 2022, when the war started, Artur was one of those who couldn’t stay silent. He spoke honestly about his views, and as a result, he was forced to leave his homeland—a decision that, of course, impacted his acting career. But for him, staying true to himself as a human being was far more important.
At the same time, beyond acting, Artur had also been writing songs. He never considered himself a professional songwriter, musician, or singer. But it’s clear that sharing this part of himself with the audience matters deeply to him.
Even before the war, in 2020, he formed a band called Smola (there’s a play on words here, as the Russian word “smola” (resin) sounds similar to the beginning of the actor’s last name). With this band he recorded several songs. But after leaving Russia, he had to start over from scratch in his musical journey. And in Riga, he put together a new band, which he named cheLovek (‘chelovek’ in Russian means ‘human’).
Armenia has given the world many famous figures, and one of them was composer Arno Babajanian. He wrote numerous works, including songs for Soviet pop music (for example, “The Best City in the World” and “The Queen of Beauty,” performed by Muslim Magomayev). But there’s one melody of his that I’ve always loved, even though I didn’t know its author for a long time.
It’s simply called “Nocturne.” Originally, Arno Babajanian composed it as a musical piece that didn’t need any lyrics. This happened in 1980. According to the composer’s son, Joseph Kobzon had asked Babajanian for permission to have lyrics written for this beautiful melody, turning it into a song, but Arno Harutyunovich wanted to keep it purely as music.
At the same time, he reportedly “bequeathed” the idea, saying, “After my death, do whatever you want.” And when the composer passed away in 1983, Joseph Kobzon again pursued the idea of creating a song, this time turning to one of Arno Babajanian’s frequent collaborators, lyricist Robert Rozhdestvensky. Thus, the music gained lyrics. Moreover, Robert Rozhdestvensky managed to capture the melancholy of the melody perfectly in the text.
I am very bad at keeping track of new music releases, even from bands I love. Perhaps there is a service that notifies you when a “new album from a band on your list has been released” — that would be wonderful.
As a result, I usually check for new releases only occasionally, especially before a trip, because I enjoy sitting on a plane, putting on my headphones, closing my eyes, and detaching myself from all the hustle and bustle around me.
This time, for the trip, I decided to load the latest albums of the band Tantsy Minus, which I have loved since their mega-success in 1999. Since then, a few of their songs have remained in my playlist, including my favorite Polovinka from their very first studio album. Vyacheslav Petkun, the band’s leader, has a very unique, raspy voice. But as his career has shown, he is also an extremely talented singer. After all, it was his voice, with its raspiness, that was chosen for the role in the musical Notre Dame de Paris, where the legendary Garou performs in the original. Yet Petkun sang wonderfully in the Russian version too, which I did not expect from him at all.
But let us return to the new albums. At first, I was not particularly impressed by what I heard; some lyrics even left me puzzled. However, I finally got to the last two songs from the album 8. And this is where it truly struck a chord with me.
At one point, I was in charge of the audio design service department at Wargaming and even got to participate in a field recording of real tanks in Jordan. Officially, I was in charge of the entire trip, but in reality, I was mostly getting in everyone’s way 😉
A bit later, we decided to restructure the team, but I still maintained (and continue to maintain) good relationships with many of the guys. I remember when a new guy, Andrey, joined the Minsk team—now widely known as Andrius Klimka, the creator of many iconic tracks from the game World of Tanks as well as its promo videos.
Andrey truly crafted some legendary tracks, and a couple of them have found a permanent place in my playlist. Those are the ones I want to share today.
The Belarusian band Naviband is preparing to release a new album, and in the meantime, they continue to release singles. About a month ago, they released a new song called “Mama”. It’s a very melodic, gentle, and somewhat unconventional lullaby (at least that’s how it seems to me). It immediately grabs your attention. I highly recommend giving it a listen:
Naviband — Mama
Yesterday, I suggested that the song feels so familiar because I can clearly hear musical interweavings with the song “Kalykhanka” (which is Belarusian for “lullaby”). This song was used as the theme music for the show of the same name from my childhood (the Belarusian equivalent of the Soviet “Good Night, Little Ones”). It’s not plagiarism, but there is definitely a connection, whether intentional or not.
Usually, in my blog, I write about songs that I like for some reason, songs that I recommend. The song “God Save the Tsar” by the band “Rabfak” is not exactly a masterpiece, and I won’t be listening to it repeatedly. But it correlates so much with my feelings about everything happening with the rock scene and the so-called “fighters against the regime” from back in the day.
YouTube suggested a music video by the band “Logovo,” a band I knew nothing about. Even searching didn’t reveal much.
However, the video had a strange effect on me. It was made using images created by neural networks. The song itself isn’t exactly captivating from the first notes, and the lyrics seem to be about Neznaika, but not quite. After clicking the link, I listened to the song all the way through, and I liked it more than I didn’t. I admit that the image of Neznaika played a significant role—he’s portrayed in such a heartfelt way that it really warmed me, especially since he looks a lot like my younger son.
I listened to it and then forgot about it. But then the video popped up in my feed again, I listened again, and then set it aside. And again.
Today, I realized that there’s something about this song that keeps drawing me back. So I decided to share it, and I’m also curious to hear what others think about the song.
