A former colleague of mine quoted a song by the band “Lyapis Trubetskoy” yesterday, which suddenly reminded me that my daughters had a tiny involvement in the band’s next album.
Back in 2006, when my wife’s younger sister, Olya, was studying to become a TV director, she had to shoot a music video for a coursework project. She decided to create a video for the song “New Time” by the band/artist “Mara.” For the lead role, she chose her niece—my eldest daughter Sasha, who was 5 years old at the time.
Alexey Rybnikov is a legendary composer who, in addition to several great rock operas, gave us unforgettable music and songs for many films we love. I adore all of his work, but as the first song set to his music, I decided to talk about “The Astrologer’s Song” (also known as “The Song of the Stars”) from the fairy-tale film Pro Krasnuyu Shapochku (About Little Red Riding Hood) by Leonid Nechayev, released by Belarusfilm in 1977. Besides the melody, the song also features wonderful lyrics written by Yuli Kim.
As usual, I’ll remind you of the song itself and also show a few of its most interesting performances. And for those who read the post to the end, there will be a small surprise waiting (I’m sure it will be a surprise for most of you).
So, the film itself is a musical fairy tale very loosely based on the well-known original. The wolves there are a whole family, led by a strong-willed she-wolf played by Galina Volchek; the wolves are not evil at all and even a bit clumsy; and there’s also a wonderful wolf cub played by Dmitry Iosifov, who two years earlier had played, for the same Nechayev, the most famous Buratino of the Soviet screen.
Besides the story of Little Red Riding Hood, the Wolf (or rather, the wolves), and the Grandmother, the film weaves in many other plotlines and colorful characters. And on top of that, it became famous for several songs set to music by that same Alexey Rybnikov. When I was a child, the song most often performed outside the film was Little Red Riding Hood’s own number — the one that goes, “Ah-ah-ah, in Africa the mountains are this high.” There was also a well-known conversational song with a spoiled child. But no less famous — and perhaps even more so — was “The Song of the Stars,” performed by the Grandmother (Rina Zelyonaya) and the Astrologer (Evgeniy Evstigneev). Both musically and lyrically, it’s far more lyrical than the film’s other songs. That’s probably why it became so beloved.
The death of Alexey Navalny in prison still hasn’t left the news feeds for a second week now—alongside the war in Ukraine and the fighting in Israel. First, Leonid Kaganov wrote a set of deeply piercing verses. And then Vasya Oblomov set them to music, and that’s how the song was born. Very sad (as a lot of Vasya’s work is), but at the same time honest—and somehow, it even gives me a new kind of hope.
The song is in Russian, but on YouTube you can turn on auto-generated English subtitles—they do a decent job of conveying the meaning overall.
Vasya Oblomov (music) / Leonid Kaganov (lyrics) — “Now Far Away from Here”
Recently, completely by accident, I came across a cover of “April” by Kino. It hit me so hard that I put it right up there with the original. I decided to share it with my wife—and that’s when I found out she doesn’t even know the song at all. Which, honestly, stabbed me straight in the heart. I genuinely have no idea how we managed to live together for 23 years if she knows Kino’s music that poorly.
As for me, I’ve been a longtime fan of the band. I remember laughing back in fourth grade during music class at a classmate who asked me whether I listened to “movie.” (In Russian, ‘Kino’ means ‘movie’). Yes, that’s exactly how I heard it. I even thought it was a funny idea—listening to movies. And I actually followed through: I bought a couple of reels and recorded all three episodes of my favorite film at the time, D’Artagnan and the Three Musketeers, off the TV—because I could listen to the songs from it over and over.
But back then I forgot about the band Kino. I discovered it and fell in love with it a few years later—right after I stopped being a diehard fan of another legendary group, Laskovyi Mai (or groups, really, since there were like ten different lineups touring the USSR). Yes—straight from Laskovyi Mai to rock. And like with a lot of things I did, I went all in.
And “April” is one of those songs I loved then, and still love to this day.
Until 2020, I knew nothing at all about the band Tor Band from Rogachev, Belarus. The guys had found their niche and started releasing protest songs back in 2017, but they were still known to very few. In 2020, though, they became almost the anthem of the protests alongside many others. Their “We’re Not a ‘Little Nation’!” quickly gained popularity among protesters. After that, they began releasing similar songs one after another. You can’t say all of them are of the highest level of performance or use non-trivial musical approaches. But could you say that about Vysotsky, for example? And yet Tor Band’s work spoke to the soul.
But our “most humane state in the world” got to them as well. All the musicians—and even their wives—were arrested; the band itself was declared an extremist formation. I can’t even imagine what’s being done to them now in the regime’s jails. And the sentences they face are anything but humane.
I don’t consider the expression of an honest opinion to be extremism. They’re merely saying what those in power don’t want to hear. And that’s why I think it must be repeated and repeated until, someday, it’s heard. If only because, for now, I can still do it.
There’s no official music video for the song “Go Away,” but there is an unofficial one—that’s the one I’ll share.
This time I won’t write anything of my own. I’ll just quote the text for this video from Nogu Svelo! themselves:
Today is a terrible date for each of us—the anniversary of the start of Russia’s military invasion of Ukraine. It is still hard to believe; it is very hard to accept. We see daily reports of new destruction and new victims. Hundreds of thousands of people have been killed or wounded; millions have lost their homes and were forced to leave their native country without knowing when they will be able to return. It is a grief that cannot be measured in numbers. On this day we want to say: “We stand with you—in spirit and in deed.” We have already held more than one charity concert, supporting and helping to raise funds for Ukrainian hospitals and refugees. And we will continue to help for as long as it takes. Until the missiles stop flying, until people return to their homes, until peace comes.
Our new release is dedicated not only to every Ukrainian, but to everyone who stands against the darkness closing in around us. Maksim doesn’t speak Ukrainian, but he specifically learned and performed a few lines at the end. You’ve already heard this song—it’s “Ukraine.” But on this day we perform it in a new way—in a church, with an organ. Many thanks to director Alexey Musin, who filmed the original music video and has now taken on this new work. Thanks to the whole team. Thank you for your support and sincerity.
Last time, when I showed a couple of unusual covers, one of them was an a cappella version by the group VoicePlay. This group is worthy of attention in its own right, because they release genuinely interesting takes on well-known hits. Still, what captivated me most in that cover was the performer with the astonishing bass—Geoff Castelucci. He’s not just one of the members of VoicePlay; he also selects and arranges songs for the team.
Besides that, Geoff has his own channel where he gives lessons on singing in a low register (while noting that the lessons can help anyone, you’ll only be able to sing low if you naturally have the right kind of voice). As I said, his voice simply mesmerizes me. It gives me goosebumps. And he also puts together excellent staging for his performances.
Today I want to show one of the very best, in my opinion—his four-part rendition of the famous “Sixteen Tons”:
I think when talking about the song “Nothing Else Matters,” you don’t even need to name the performer. It’s hard to imagine anyone not knowing this — one of Metallica’s most famous and awesome songs. So this time I’m not even going to put a link to it here.
However! While roaming the internet, I came across two very interesting covers that differ strikingly from the original. And I found them so unusual that I decided to share them with you.
The first is a multi-voice performance by the Polish women’s group Tulia. It is both unmistakably Nothing Else Matters and at the same time has clear notes of Polish folk. I’m not sure I’d want to listen to this version every day, but the first time it definitely grabs your attention:
Tulia – Nothing Else Matters
And the second cover is a fully a cappella version by VoicePlay. I’ve always loved a cappella renditions of any songs. But this one is done really well. The guys have gone far from the original, yet they’ve managed to preserve all of its beauty. And oh, what the bass does here! Be sure to listen until the moment he comes in (around 2:30). I literally got goosebumps. I don’t know how women react to men like this, but for a voice like that I’d give a lot!
Nothing Else Matters – Metallica (acapella) VoicePlay Ft J.NONE
It’s been a long time since I last wrote about good songs. Now it’s time to talk about one that my younger children have come to love — and which we’ve already listened to dozens of times.
The song was made very popular by the TV series Vikings, although in fact it is more than a thousand years old. In English it is known by its opening words, “My mother told me”, while in Old Norse (Common Scandinavian) it sounded as “Þat mælti mín móðir.”
In the series, the song is performed by two brothers who, upon hearing each other’s voices, realize that both are still alive after the battle. But, as I said, after the series the song began to be heard in many places; it was even added to various videos on Viking themes (for example, over the trailer for Assassin’s Creed: Valhalla video game). In many versions, performers limit themselves to just about a single verse, which is repeated several times:
My mother told me
Someday I would buy
Galleys with good oars
Sail to distant shores
The song is dated to around the 9th century AD. And in this text, historians say, is reflected the time when the Vikings no longer had enough land of their own and resolved not only to go on distant raids but even began to contemplate settling in other lands — in particular, England and Ireland. On the subject of the full text of the song, there is an interesting article by archaeologist Martine Kaspersen: http://www.scandinavianarchaeology.com/my_mother_told_me/.
I remember that in my childhood in the USSR, there was a craze for aerobics that came from the ‘decaying’ West. Various courses were released, special programs aired on TV, even records were issued with music and exercises. But even back then, as a teenager, I had my doubts that everyone was getting into this sport purely for the sake of sport—especially the men.
Time passed, the craze faded, but it was replaced by yoga, CrossFit, and other things like Pilates, which shall not be named.
What’s interesting is that even today many still perceive aerobics as an excuse to watch attractive women—not exactly with sporting intentions. But if in the 1980s this was seen as a manifestation of self-expression and liberation, now such views and videos could very well get you charged with harassment. O tempora! O mores!
And back then they even made movies—with young John Travolta and Jamie Lee Curtis. And no one went to jail, surprisingly. Even though it reeks of objectification of women, disregard for African Americans, and a bunch of other things.
So maybe the USSR was right about the decaying West after all.
