Tag: I-recommend

Book: Patrick Lencioni “The Truth About Employee Engagement”

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Among some of my colleagues, it became fashionable to poke fun at Patrick Lencioni, since at one point he was practically turned into a cult figure. Nevertheless, I “got hooked” on his books from the very first one I read — a book I’ve now gone through almost three times. And all the others consistently earn the highest praise from me as well. For me, he’s probably business author number one — the writer whose books every manager should have on their desk.

In his book The Truth About Employee Engagement: A Fable About Addressing the Three Root Causes of Job Misery, written in Lencioni’s signature genre of the business fable, Patrick touches on the topic of job satisfaction.

All of us work in one way or another. And those who don’t “go” to work are most likely doing work at home: taking care of children, feeding the family, keeping things in order. That’s work too.

And sometimes people don’t even realize how sick and tired they’ve grown of their daily routine, how reluctant they’ve become to deal with it. A lack of motivation leads to falling engagement, productivity, and proactivity. And it’s unlikely that any leader wants their team — and their product — to be, at best, mediocre, if not outright sliding into a hole.

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Book: David Kushner “Masters of Doom”

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It seems like not so long ago I used to get carried away in computer clubs, where you had to move a few squares across the screen from point A to point B, and then there was a masterpiece in the form of the game Karateka. These days you look at a game that’s, say, five years old — ten, heaven forbid — and you already think: ugh, how could we even play that? And yet 35 years ago it was those very squares on the screen that seemed to us like a miracle of miracles.

And that’s why it’s so fascinating now to read the biographies of people who are, essentially, already legends, who rapidly changed both the video game industry itself and society’s attitude toward it. The story of id Software is just such an example.

David Kushner’s book is titled Masters of Doom, making it clear which game is considered the most famous, which name can attract potential readers. Modern players are more likely to know Doom (2016) and its sequel Doom Eternal, and are unlikely to have ever played those very first games.

For me, though, the acquaintance with the company’s games began much earlier — although back then I paid no attention to who actually made them. I remember playing Commander Keen in the school computer lab. And later, when Wolfenstein 3D appeared, it became not only a breakthrough and the progenitor of all shooter games. It was also the first game my father ever played on a computer — and at that time he was about as far from technology as one could be. So, you could say I’ve walked almost the entire path alongside this company — only as a player.

But when I say that the book tells the story of id Software, that’s not quite true. It’s not so much the story of a company as it is the story of its two founders — “the two Johns,” as the author constantly calls them: John Romero and John Carmack, two guys who “created an empire and transformed pop culture.”

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Musical “Les Misérables”

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When I wrote my review of Victor Hugo’s novel Les Misérables, I admitted that what pushed me to read it was the Hollywood adaptation of the musical based on the same book. Before the musical, I only knew the broad strokes about the novel. The musical interpretation, though a bit on the superficial side, turned out to be very engaging. I rewatch it from time to time, and many of the songs have made their way into my playlist.

At some point I got interested in the history of the musical itself. And it turned out not to be some little-known production. So I’ll try to give a brief overview.

The first staging of a musical based on the famous book was in France, in 1980—and of course in French. But that production ran on stage for only three months. And perhaps no one would have heard of it if, in 1983, a recording hadn’t been passed to Cameron Mackintosh, the producer of the Broadway version of the great musical Cats, with a proposal to create an English-language version. The text was rewritten for an English audience; a prologue and several new numbers were added; and most importantly, all the non-musical spoken dialogue was removed. This version premiered in London in 1985.

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Book: Jonas Jonasson “The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared”

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Swedish writers have been pleasantly surprising me lately. Not that I’ve read a lot of them, but first Fredrik Backman became an insanely “tasty” discovery for me a few years ago, and now Jonas Jonasson. There’s something about these Swedes. They seem to write about life, yet they do it lightly, beautifully, and with touches of humor.

For many years Jonas Jonasson worked as a journalist and television producer (just like my wife), and then suddenly decided to drastically change his life and write a book. And that book sold like crazy—first in Sweden, and then around the world.

The book titled The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared really does begin with the main character, the old man Allan—whose 100th birthday is literally minutes away from being celebrated at the retirement home—deciding to escape through the window. And to get far away before anyone notices he’s gone. What follows is a chain of unforeseen events, in which the old man almost immediately finds himself in possession of a suitcase with a million, a whole group of companions, and a small trail of bodies behind him.

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Song: Geoff Castelucci “Sixteen Tons”

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Last time, when I showed a couple of unusual covers, one of them was an a cappella version by the group VoicePlay. This group is worthy of attention in its own right, because they release genuinely interesting takes on well-known hits. Still, what captivated me most in that cover was the performer with the astonishing bass—Geoff Castelucci. He’s not just one of the members of VoicePlay; he also selects and arranges songs for the team.

Besides that, Geoff has his own channel where he gives lessons on singing in a low register (while noting that the lessons can help anyone, you’ll only be able to sing low if you naturally have the right kind of voice). As I said, his voice simply mesmerizes me. It gives me goosebumps. And he also puts together excellent staging for his performances.

Today I want to show one of the very best, in my opinion—his four-part rendition of the famous “Sixteen Tons”:

SIXSTEEN TONS | Low Bass Singer Cover

Book: Mark Manson “Models: Attract Women Through Honesty”

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Eight years ago, blogger Mark Manson explained to the whole world that living with a sense of not giving a damn is actually the best option — even an art. No need to stress about things. Later, he developed this idea further, clarifying that if you’re still stressing, then it’s absolutely pointless, because really “Everything Is F*cked.”

However, he began his writing career with completely different topics: he explained to men how to properly land a woman. What for many years has been called pickup in the pickup artist community, though in his advice he went much further. Later he slightly reworked this book.

Since I liked his writing style in the first two books, I decided to read this one as well — though to be honest, the subject doesn’t concern me much these days, when I have a wife and five children. But it turned out that the book is not at all what you would expect from its title and annotation.

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Book: Arkady & Boris Strugatsky “Monday Starts on Saturday”

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Ah, it’s hard to write about such a classic, one that has been known to everyone for many decades. But I still decided to give it a try.

The thing is, Monday Starts on Saturday was the very first book by Arkady and Boris Strugatsky that I ever read. And that was back in my distant childhood. I remember laughing out loud at some episodes, trying hard not to show it, since I had to read some of them in a clinic while waiting my turn for physiotherapy.

Since then, the book has retained a sense of eternal joy and a smile for me, and that is why in my adult years I was very afraid to reread the story: what if I perceived it completely differently, and those childhood impressions faded? Nevertheless, the second time I also enjoyed it, and now I have read it for the third time. But this time I had a specific goal — to think about what had changed in my feelings and perception of the story compared to childhood, and also after so many years separating the everyday life of the book’s characters from today’s realities.

The book tells about the work of a programmer in an institute of sorcery and magic. Nothing less. Complete with all the trappings of Soviet research institutes of the 1960s–70s.

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Books Worth Reading (2017–2022)

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I am sometimes asked which books I would recommend reading. For the blog, this is generally not difficult — it’s enough to open all posts with the tag “I-recommend.” But since it’s been almost five years now since I revived my blog and began writing about the books I’ve read, I decided to put together a selection of non-fiction books I’ve read during this time that fall into the category of “you must read them.”

I have already written detailed reviews of all these books, so this time I’ve selected only the very best, grouped them by topic. For each book I give only brief recommendations on why they are worth reading, but you can always open the link to the full review. I hope this will be useful to someone. So, let’s begin.

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Book: Alexandra Arkhipova, Anna Kirzyuk “Dangerous Soviet Things”

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If someone says to you “dangerous Soviet things,” what would you think of first? For me, right away it’s the “coffin on wheels.” It may sound like nonsense, something that never existed. But many of my peers knew dozens of such scary stories. Eduard Uspensky even wrote his novella about the Red Hand based on them.

However, the book Dangerous Soviet Things is more serious, though at times it deals with equally “nonsensical” theories that, nonetheless, people believed.

The book by Alexandra Arkhipova and Anna Kirzyuk is a large study of the phenomenon of the urban legend, with a focus specifically on the Soviet era. Abroad, the study of urban legends began quite a while ago; in our region, somewhat later. Though in certain periods the KGB quite actively and professionally collected such information, since behind rumors and legends there always hides some secret fear. And one must understand where the fear comes from, and also know how to counter it — or use it to one’s advantage.

From the description of the book, you expect popular science — interesting and entertaining reading. But from the very first pages, it feels like a bucket of cold water has been poured over you. Because the first seventy pages are an immersion into highly specialized terminology and the history of studying urban legends. For non-specialists (like me), this becomes rather disheartening. And only after that do the authors begin to examine the legends themselves, dividing them into thematic groups.

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Book: Ilya Ilf, Yevgeny Petrov “The Golden Calf”

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Earlier, I wrote that I had decided to reread the duology about Ostap Bender, which I had previously read only as a teenager. After finishing the “most complete” version of The Twelve Chairs, I picked up a similar edition of the second novel, The Golden Calf. This one is also presented as “The complete version of the novel without omissions or cuts.”

According to legend, the authors hadn’t planned to write a second novel—the first was self-contained, and Ostap Bender dies at the end. The authors even claimed they flipped a coin to decide whether he would live or die. But after the wild success of the first book, it would have been odd if they hadn’t gone ahead with a sequel. Although there is an opinion that the continuation had been planned much earlier, and the rest is just a neat and officially supported legend.

In the first novel, there were two main characters—Kisa Vorobyaninov and Ostap Bender himself. But it was clear who was playing the first violin, who was the thinker and driving force in the duo. Without Ostap, Kisa likely wouldn’t have recovered a single chair. That’s why the second book has no connection to the “leader of the Russian nobility” and instead puts the resurrected Ostap fully in the spotlight, now accompanied by new helpers who are significantly more useful (though still no match for him). As for his death, Ostap mentions it only in passing: someone did try to kill him, but brave Soviet medicine managed to save his life. The only reminder is a clearly visible scar from a razor cut on his neck.

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