Recently, I was unexpectedly asked several times if I had any materials or songs from the band “Plateau.” This interest is likely due to the fact that some time ago, I wrote about my friendship with the band and later published a whole album of studio photos of them on Facebook, where I even sneaked into a few shots myself.
The thing is, the band existed from the mid-90s and effectively ceased its activities in the early 2000s. It was a very distinctive group, blending folk with ethnic motifs, and sometimes just playing cheerful and romantic songs.
In 2000, the band caught the attention of Vyacheslav Butusov, the former vocalist of the band “Nautilus Pompilius.” Together with the members of Plateau and the theater troupe “Licedei,” Butusov performed three acoustic concerts based on his album “Ovals” (one of which, by the way, took place in Minsk). These were not just concerts — they were theatrical performances under the title “Bibigonia.”
On Vyacheslav’s official channel, you can find a TV version of one of these concerts, which took place on February 25, 2000, in Saint Petersburg:
Many years ago, I absolutely did not know how to make presentations. I won’t say that I’m great at it now either, but at some point, I realized that the fate of your project, team, and even just an idea depends on how you present it. And although my public speaking is still far from ideal, my presentations in the form of files and face-to-face, based on them, have clearly become much better. First, thanks to experienced colleagues who taught me to do it better and always expressed constructive feedback. Second, because work required me to do it more often, both using standard templates and more creative ones to sell a great idea. And third, because I became increasingly interested in what those who do this constantly recommend.
Surprisingly, when talking specifically about presentations as a set of slides, much can be learned from related fields. For example, the ability to structure your speech more competently and simply is also a key to success. And here many tips from the book “Write, Shorten” would be quite suitable (although I have many other issues with it). Guy Kawasaki in his book “Art of the Start 2.0” dedicates a separate section specifically to preparing presentations. Alexander Bogachev in “Charts That Persuade Everyone” shows how to better convey your thoughts through graphical representation. And Kirill Egerev’s book “This Button Needs Text,” although not related to presentations, touches on important aspects of creating short, concise, and clear texts for UI, and these rules are universal, so they work in presentations as well.
I read this book by Henry Lion Oldie exactly one year ago, just a couple of months after their wartime diary, Invasion. This book is a collection of science fiction stories, but all of them revolve around one central theme — the war in Ukraine.
And today, it is impossible to separate them from real events, no matter how much you try to convince yourself that it’s “just fiction.” Because this “fantasy” feels far too real, and all the speculative elements are simply a backdrop for what’s going on in the minds of the authors — and in the minds of many people right now.
Normally, I try to write thoughtful and fairly in-depth reviews of books, but with this one, I couldn’t bring myself to write anything substantial for an entire year. It always felt like whatever clever ideas or interpretations I might come up with, any metaphors or hidden meanings I could find, would all crash into the wall of reality — a reality more fantastical and terrifying than fiction itself.
Even in their stories, the authors include fragments of autobiography. In The Small Circle, there are brief excerpts from their real diary.
And in the story Those Who Follow Me, they describe a magical wall that shuts the world away from the horrors of Mordor. A few years ago, I would have read that as quirky sci-fi. But now I realize — this is a dream many people share. They truly want an impenetrable wall to keep Mordor out. For many, many years to come.
I considered writing nothing about this book at all. But in the end, I decided to limit myself to a short note. Not all of the stories struck me as strong pieces of science fiction — and I did try to evaluate the book as a work of literature — so my overall rating is lower than for other story collections, whether by Oldie or other authors.
However, as a kind of mirror to our era and this war, the book deserves a much higher score. It is a must-read. At the very least, to get a glimpse of how this is being experienced, and how it finds expression in literature, by those who have now lived with this war for three years. Where people are dying who never wanted to fight — and every month brings news of children killed, children who should only have ever learned about war from history books.
P.S. I’m sorry I’m not able to write a proper review right now.
