Tag: science-fiction

The two-volume novel Diomedes, Son of Tydeus by Andrey Valentinov is formally considered the second in Valentinov’s Mycenaean cycle. However, it doesn’t have much connection with the first book, The Grey Kite. In fact, there’s not much about Mycenae in this book either—Mycenae is just another city-state here. It could just as easily be called part of a Trojan cycle since most of the story focuses on Troy.

What does connect it, though, is the parallels with H. L. Oldie’s Odysseus, Son of Laertes. Both books were written at the same time, with the authors collaborating during the writing process. The events overlap significantly, though in Valentinov’s novel, they are shown through the perspective of a different hero, Diomedes.

Both novels also share a similar narrative style. They begin with the heroes’ childhoods and trace their lives through their coming of age and the crucible of the Trojan War. Both books are a bit more challenging to read compared to other works by these authors.

Diomedes as a Greek hero is much less well-known compared to other figures. He didn’t perform any grand feats, so why should anyone remember him? He wasn’t Perseus, the slayer of Medusa. He wasn’t Heracles with his twelve labors. He wasn’t Theseus, the conqueror of the Minotaur. And he wasn’t Odysseus, who spent ten years returning to his beloved Penelope while encountering numerous adventures. Diomedes was just one of the many participants in the Trojan War.

It’s no secret that H.L. Oldie wrote their Achaean cycle in parallel with Andrey Valentinov’s Mycenaean cycle, which is why some characters migrate from one book to another. Of course, all of them come from real mythology, but in the books, they appear specifically in the interpretations of Oldie/Valentinov. Diomedes, Son of Tydeus is considered the second novel of the cycle, and it generally tells of events parallel to the book Odysseus, Son of Laertes by H.L. Oldie, sometimes offering an alternative perspective on the same events. However, the novel The Grey Kite stands apart, telling the story of Mycenae long before the events of the Trojan War.

And while I read the second novel about Diomedes many years ago, I somehow avoided The Grey Kite. Now, having plunged once again into the history of Ancient Greece, I decided to complete the marathon in full.

This is the story of a mercenary from Babylon who, by a twist of fate, becomes the ruler of Mycenae. The locals aren’t particularly fond of having an outsider on the throne, but things are not that simple. Even the protagonist himself starts to wonder — is he really an impostor?

Well, after reading The Grandson of Perseus and A Hero Must Be Alone, it was finally time to reread the third book in Henry Lion Oldie‘s Achaean cycle, Odysseus, Son of Laertes. This book chronologically concludes the story of the Heroes, descendants of the Olympian gods, although it was written second, long before The Grandson of Perseus. And in my opinion, it differs significantly from the other two books in how the authors approached the narrative.

As much as I enjoy A Hero Must Be Alone, this book, both the first time I read it many years ago and now, turned out to be challenging to get through. Especially in the beginning, I found myself frequently pausing and then forcing myself to continue. For me, there were too many metaphors, too much emphasis on beautifully crafted language and unspoken meanings, to the point where I started losing track of the main plot. And the plot itself is quite fragmented here, constantly interspersed with flashbacks and memories from other times.

To understand certain things, you need to have a solid knowledge of both mythology and the story of Odysseus (outside of this book). Only then can you compare and grasp some of the nuances in the narrative. Otherwise, you’re left with even more questions. Some parts are direct references to A Hero Must Be Alone, not just to the myths about Heracles but specifically to their interpretation in the previous book of the cycle. Of course, as the book says, “answers are the killers of questions.” But it feels unsettling when you have more questions than understanding. I know many people love Oldie for these hidden meanings, but for me, this was more of a drawback.

Odysseus is primarily known for his role in the Trojan War and the long story of his return home from that war (ten years is no joke). However, we see almost nothing of that famous journey here. Instead, we are shown how the war began in the first place, why everyone became so fixated on Helen of Troy, and why the gods needed the war in the first place.