Tag: history

Book: Alexandra Arkhipova, Anna Kirzyuk “Dangerous Soviet Things”

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If someone says to you “dangerous Soviet things,” what would you think of first? For me, right away it’s the “coffin on wheels.” It may sound like nonsense, something that never existed. But many of my peers knew dozens of such scary stories. Eduard Uspensky even wrote his novella about the Red Hand based on them.

However, the book Dangerous Soviet Things is more serious, though at times it deals with equally “nonsensical” theories that, nonetheless, people believed.

The book by Alexandra Arkhipova and Anna Kirzyuk is a large study of the phenomenon of the urban legend, with a focus specifically on the Soviet era. Abroad, the study of urban legends began quite a while ago; in our region, somewhat later. Though in certain periods the KGB quite actively and professionally collected such information, since behind rumors and legends there always hides some secret fear. And one must understand where the fear comes from, and also know how to counter it — or use it to one’s advantage.

From the description of the book, you expect popular science — interesting and entertaining reading. But from the very first pages, it feels like a bucket of cold water has been poured over you. Because the first seventy pages are an immersion into highly specialized terminology and the history of studying urban legends. For non-specialists (like me), this becomes rather disheartening. And only after that do the authors begin to examine the legends themselves, dividing them into thematic groups.

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Book: Boris Akunin “As He Was Leaving, He Asked”

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With the release of the novel As He Was Leaving, He Asked, Boris Akunin has fully completed his historical cycle, in which he simultaneously told the history of the Russian state and accompanied it with works of fiction set in the corresponding historical period.

Boris Akunin concluded the history of the Russian Empire with the reign of the last tsar of the Romanov dynasty — Nicholas II. Beyond that point, in the author’s view, it was no longer the history of an empire (though recent events show that imperial history seems unwilling to let Russia go).

The fictional cycle, as I have written many times before, is essentially the story of a completely different dynasty, one that managed to traverse the entire path from the Varangian era to the Revolution of 1917. And if in the earlier works of the cycle representatives of this dynasty played a rather prominent role — sometimes even stepping directly into the spotlight (as in the novel The Fortunate Adventures and Reflections of Lucius Catin) — then in the penultimate The Road to Kitezh it was the events of the era that came to the fore, rather than one of the heirs with the telltale birthmark on the forehead. The final novel, titled As He Was Leaving, He Asked, is likewise far less focused on the last heiress of the family in the cycle.

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Book: “The Square of Changes”

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A few days ago marked two years since the death of Raman Bandarenka — a man who became one of the symbols of the 2020 protests in Belarus and, sadly, one of its victims. Raman was one of the residents of a Minsk courtyard at the intersection of Chervyakova Street, Kakhovskaya Street, and Smarhonski Tract, which during the protests became known as “Square of Changes.” Another resident of this “square,” Stsiapan Latypau, who handed out flowers to protesting women and actively took part in the life of his courtyard-“square,” was detained, attempted suicide several times during his trial, and ultimately received 8.5 years in a high-security prison.

In today’s world, we often know very little about our neighbors, especially when living in the huge “ant hills” of residential districts. But this courtyard became known to all concerned Belarusians. It appeared in many news reports, tea gatherings and even concerts were held there. Residents hung white-red-white ribbons on the fences, painted a mural on a transformer booth, and fought to preserve it. And it was for this reason that it received its own name — “Square of Changes.”

This courtyard, this phenomenon, has already been forever inscribed in the history of modern Belarus. And in 2022, Yauheni Otsietski decided to publish a photo album about this “square.”

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Dirty and Politically Incorrect ’80s

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I remember that in my childhood in the USSR, there was a craze for aerobics that came from the ‘decaying’ West. Various courses were released, special programs aired on TV, even records were issued with music and exercises. But even back then, as a teenager, I had my doubts that everyone was getting into this sport purely for the sake of sport—especially the men.

Time passed, the craze faded, but it was replaced by yoga, CrossFit, and other things like Pilates, which shall not be named.

What’s interesting is that even today many still perceive aerobics as an excuse to watch attractive women—not exactly with sporting intentions. But if in the 1980s this was seen as a manifestation of self-expression and liberation, now such views and videos could very well get you charged with harassment. O tempora! O mores!

And back then they even made movies—with young John Travolta and Jamie Lee Curtis. And no one went to jail, surprisingly. Even though it reeks of objectification of women, disregard for African Americans, and a bunch of other things.

So maybe the USSR was right about the decaying West after all.

Book: Jean-Christian Petitfils “d’Artagnan”

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Ah, who doesn’t know d’Artagnan?! Every boy should know him from childhood! I also saw my first Three Musketeers film when I was just a little kid — it was some foreign, black-and-white, almost silent movie. And shortly after that, they showed the Musketeers on TV again — I happily sat down to watch, and then — bam! — disappointment, it was a completely different movie. But one that I came to love for many, many years. It was D’Artagnan and the Three Musketeers by Georgi Yungvald-Khilkevich. And even though it probably strayed further from Dumas’ original novel than any other version, its swashbuckling adventures and brilliant songs did their job.

I dreamed of being the Gascon, I wanted to be like him. And in third grade, I confessed this to a classmate who sat next to me at the same desk — and she decided to mock me and loudly revealed my secret to the entire class!

A bit later, when I was around 13, one of my classmates asked if I had listened to Kino (movie). Of course, he meant the band Kino, but I took it as a joke, even laughed — but when I got home, I turned that joke into reality. I bought a reel of magnetic audio tape at a store, and the next time my favorite three-part film was on, I recorded it using a reel-to-reel tape recorder. That way I could enjoy the songs I loved, and even the movie itself (I knew it by heart, so the sound alone was enough for me) anytime I wanted. That was a huge leap forward in those days.

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Book: Ilya Ilf, Yevgeny Petrov “The Golden Calf”

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Earlier, I wrote that I had decided to reread the duology about Ostap Bender, which I had previously read only as a teenager. After finishing the “most complete” version of The Twelve Chairs, I picked up a similar edition of the second novel, The Golden Calf. This one is also presented as “The complete version of the novel without omissions or cuts.”

According to legend, the authors hadn’t planned to write a second novel—the first was self-contained, and Ostap Bender dies at the end. The authors even claimed they flipped a coin to decide whether he would live or die. But after the wild success of the first book, it would have been odd if they hadn’t gone ahead with a sequel. Although there is an opinion that the continuation had been planned much earlier, and the rest is just a neat and officially supported legend.

In the first novel, there were two main characters—Kisa Vorobyaninov and Ostap Bender himself. But it was clear who was playing the first violin, who was the thinker and driving force in the duo. Without Ostap, Kisa likely wouldn’t have recovered a single chair. That’s why the second book has no connection to the “leader of the Russian nobility” and instead puts the resurrected Ostap fully in the spotlight, now accompanied by new helpers who are significantly more useful (though still no match for him). As for his death, Ostap mentions it only in passing: someone did try to kill him, but brave Soviet medicine managed to save his life. The only reminder is a clearly visible scar from a razor cut on his neck.

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Song: Tin’ Sontsya “Peramogi Scyag” (The Flag of Victory)

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Just a few days ago, the Ukrainian folk-rock band Tin’ Sontsya (“Shadow of the Sun”) released a new song titled “Перамогi сцяг” (“The Flag of Victory” in Belarusian). What makes this project unique is that the Ukrainian band not only performs the song in Belarusian, but also dedicates it specifically to the true heroes of modern Belarus — the Kalinouski Regiment, which is currently helping Ukrainians defend and liberate their homeland. The music video is a tribute to the military glory of Belarus, combining artistic scenes with real footage of the regiment’s fighters. Sadly, some of them have already given their lives for freedom in this war.

The lyrics and the performance are also quite good, but what impressed me the most was the visual side of the video.

Tin’s Sontsya — Peramogi Scyag (dedicated to the Kalinouski Regiment)

Glory to Ukraine!

Long live Belarus!

Book: George Friedman “The Next 100 Years”

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Who among us hasn’t wanted to know the future? Who we’ll become, what discoveries await us… As children, probably almost everyone dreams of that. But over the years, that desire seems to fade into the background—at least, it did for me. The longer I live, the less I want to know what lies ahead. That knowledge often feels too frightening. I want to believe that everything will be okay, that my children and grandchildren won’t face the horrors previous generations endured, not to mention all the disasters that are constantly being fed to us from every direction.

Unfortunately, reality doesn’t care about what we want. And even now, we see things we never imagined we would.

It was at just such a moment that I came across a mention of George Friedman’s book The Next 100 Years, where he predicts how our civilization might live through the 21st century.

Here’s what the Russian publisher Eksmo writes about George Friedman on their website:

George Friedman is a political scientist from the United States, founder and head of the private intelligence company STRATFOR. The company specializes in gathering and analyzing data in the fields of geopolitics, national security, and economics. As the organization’s lead expert, Friedman works alongside a professional team of analysts to collect macroeconomic and political information from a wide range of sources and develop geopolitical strategies. His books are also devoted to these topics.

In other words, the author doesn’t make predictions out of thin air—he bases them on a deep understanding of geopolitical realities and the patterns that shape the development of civilizations. This is his professional field of expertise.

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Book: Ilya Ilf, Yevgeni Petrov “The Twelve Chairs”

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The first time I read the books about Ostap Bender was in my teenage years. I don’t think that’s the best age for such reading, but the book was on our shelf, I had heard a lot about it, and I already liked the film version of The Twelve Chairs directed by Mark Zakharov. Probably because of the songs — but still, I liked it.

I remember that I read both The Twelve Chairs and The Little Golden Calf back to back. I really enjoyed the first book, while the sequel left me with a feeling of melancholy. That impression of the duology stayed with me for years. However, I recently decided to reread them as an adult, to see how my perception might have changed.

Looking at the editions currently available, I came across an expanded version titled “the most complete edition.” That piqued my interest, so I chose to read that one.

In case someone out there either doesn’t remember or has never heard of this book (which would be hard to believe), here’s a brief summary. The setting is the 1920s. A former nobleman, Ippolit Matveyevich Vorobyaninov, lives a modest life as a registry office clerk when he suddenly learns that during the revolution, his mother-in-law hid the family jewels inside one of the chairs from their noble furniture set. He throws himself into a frantic search — and is unexpectedly joined by a stranger, Ostap Bender. In reality, it’s Ostap who takes the lead in the hunt. Thanks to his wit and the skill of a “great schemer,” he masterfully navigates even the trickiest situations. Poor Ippolit Matveyevich is hardly a match for him.

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My scariest movie

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Many people love watching horror movies, although these days I often find them amusing because of the idiocy of the events and the characters. However, there are still films that genuinely scare me.

Today, I found myself thinking about which horror films scared me the most—those that truly frightened me, even if they weren’t necessarily made with that intention. I quickly remembered three such movies, but the top one became clear almost immediately, with a huge lead. But let me start with the “weaker” ones, if you can say that.

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