Author: knari

Song: Vasya Oblomov “Now Far Away from Here”

No comments

The death of Alexey Navalny in prison still hasn’t left the news feeds for a second week now—alongside the war in Ukraine and the fighting in Israel. First, Leonid Kaganov wrote a set of deeply piercing verses. And then Vasya Oblomov set them to music, and that’s how the song was born. Very sad (as a lot of Vasya’s work is), but at the same time honest—and somehow, it even gives me a new kind of hope.

The song is in Russian, but on YouTube you can turn on auto-generated English subtitles—they do a decent job of conveying the meaning overall.

Vasya Oblomov (music) / Leonid Kaganov (lyrics) — “Now Far Away from Here”

Book: Stanisław Lem “Solaris”

No comments

Stanisław Lem is a classic of Polish science fiction, hugely popular among Russian-speaking readers since the Soviet era, when we weren’t exactly spoiled for science fiction. Apparently that very status is what kept me from writing a review of Solaris for so long—because, shame on me, I only read it recently.

If Lem himself is a star, then Solaris is probably one of his most famous works—yet most people who know it do so through its screen adaptations. The best known is the 1972 film by Andrei Tarkovsky, starring Soviet actors Donatas Banionis and Natalya Bondarchuk. In 2002 the Americans made their own version too: Soderbergh cast none other than George Clooney in the lead. And there was also an earlier TV adaptation with Vasily Lanovoy, released four years before Tarkovsky’s version.

It’s worth noting that Lem himself treated the adaptations of this novel rather coolly, because, first, he couldn’t imagine how it could be filmed at all—and second, he really disliked the way directors chose to reinterpret his idea. He even quarreled with Tarkovsky, calling him a fool, and later said that instead of Solaris, Tarkovsky had made “Crime and Punishment in space.”

Read more

Book: Pavel Sanaev “Bury Me Behind the Baseboard”

No comments

Bury Me Behind the Baseboard by Pavel Sanaev was, for many years, a bit like Pasternak was for Soviet citizens. Meaning: I hadn’t read it, but I’d heard so much about it from all sides that, deep down, I didn’t even want to read it—I “disapproved” along with everyone else.

But the years went by. The book kept coming up, stage adaptations were made, and it even got a screen version with fantastic actors. So at some point I decided you can’t judge a book based on third-hand retellings.

Pavel Sanaev is the son of the actress Yelena Sanaeva, whom most people know as Alice the Fox from the film The Adventures of Buratino. He’s also the stepson of actor and director Rolan Bykov (a name that really needs no introduction). And he’s the grandson of the famous actor Vsevolod Sanaev (he appeared in all sorts of films, but Belarusians probably know him best as Fedos in White Dew).

And Bury Me Behind the Baseboard is a slightly fictionalized set of the author’s memories of his childhood. The names have been changed, but overall he’s simply telling the story of how he lived—separated from his mother—under the care of his grandmother, and to some extent his grandfather too.

Read more

Book: Damien Mecheri, Sylvain Romieu “Dark Souls: Beyond the Grave. Volume 1: Demon’s Souls – Dark Souls – Dark Souls II”

No comments

The term souls-like is now well established in the video game industry—players immediately understand what to expect from a game in this genre: it will be very hard, you’ll die many times, respawn, try again and again, learning your enemies and honing your skills along the way.

But just fifteen years ago, that wouldn’t have meant anything to anyone. “Souls-like” as in… like souls? What souls? Because it was only in 2009 that a game called Demon’s Souls came out and challenged the established rules of game design—at a time when the industry was increasingly trying to hold the player’s hand and help them at every turn. FromSoftware showed that if you kill the player from the very first minute and make it clear that their entire gaming experience means nothing in this world, it won’t just fail to scare people off—it can create a whole army of fans and, in essence, invent a new genre.

The book Dark Souls: Beyond the Grave promises to tell the story of how this series of games was created—starting with Demon’s Souls and continuing with its “offspring” in the form of the Dark Souls trilogy and beyond. And I was extremely interested to read how the creators came up with this approach, why they decided to bet on it, and how they built these games. First, this really is an entire subculture within gaming—and I’m not exactly its best representative as a player (I don’t like suffering all the time). Second, my team is currently making a game with similar mechanics, even if we want to push further (and who doesn’t?).

Read more

Covers of “April” by Kino

No comments

Recently, completely by accident, I came across a cover of “April” by Kino. It hit me so hard that I put it right up there with the original. I decided to share it with my wife—and that’s when I found out she doesn’t even know the song at all. Which, honestly, stabbed me straight in the heart. I genuinely have no idea how we managed to live together for 23 years if she knows Kino’s music that poorly.

As for me, I’ve been a longtime fan of the band. I remember laughing back in fourth grade during music class at a classmate who asked me whether I listened to “movie.” (In Russian, ‘Kino’ means ‘movie’). Yes, that’s exactly how I heard it. I even thought it was a funny idea—listening to movies. And I actually followed through: I bought a couple of reels and recorded all three episodes of my favorite film at the time, D’Artagnan and the Three Musketeers, off the TV—because I could listen to the songs from it over and over.

But back then I forgot about the band Kino. I discovered it and fell in love with it a few years later—right after I stopped being a diehard fan of another legendary group, Laskovyi Mai (or groups, really, since there were like ten different lineups touring the USSR). Yes—straight from Laskovyi Mai to rock. And like with a lot of things I did, I went all in.

And “April” is one of those songs I loved then, and still love to this day.

Read more

Varlamov and Cyprus: A Bad Match

No comments

I know that not everyone likes Ilya Varlamov. Ukrainians, at the time, were very offended by his video about Ukraine (and honestly, for good reason—the video is very ambiguous). Still, sometimes he talks in a pretty interesting way about the countries he visits.

But experience shows that this “interestingness” can be very uneven—and sometimes not very accurate, if you have an analytical mind. And if you also know the country he’s talking about… For example, in his series 30 Years After the USSR—which included that infamous Ukraine episode—not every installment gives a full picture of what’s going on. His video about Belarus was also very superficial, basically about nothing. And the ones about the former “-stan” republics are more about refugees than about the countries themselves.

But I’ve been living in Cyprus for almost ten years now, so I’m always interested in reading and watching what people think when they visit this island—an island I already consider my second home. (You can only really call your homeland the country you were born in, but that doesn’t make it better than the others.) A few years ago Ilya Varlamov released a video about Cyprus as well, and even then it struck me as choppy and not very useful.

Read more

TV Show “The History of Russian Computer Games”

No comments

Recently, the streaming service Okko released a documentary series titled The History of Russian Computer Games, about how the video game industry developed across the post-Soviet space—starting with the USSR era.

Anton Vert recommended it to me, immediately pointing out a few downsides. But it’s one thing to listen to smart people, and another to watch it yourself and then share your own opinion that nobody asked for.

In 30–40 minute episodes, the series talks about different milestones in the industry’s formation—first in the USSR, and then across the entire territory of this former Soviet empire. At least, that’s how the series is sometimes positioned (I’ll come back to this in more detail later).

Read more

Book: Boris Akunin “The Pit”

No comments

I haven’t read all of Boris Akunin’s work, but I’ve read a fairly substantial part of it—enough to say that the series about Erast Fandorin is probably the most significant thing the author has come up with so far.

And so, when the hero’s life path started nearing its end, true fans were very saddened. The thing is, in my view the later books in the series fell far short of the first ten. Still, they were bought and read as soon as they came out. And when it seemed like Erast Petrovich was finished once and for all, first there was Just Masa, telling the story of his constant companion, and then suddenly The Pit came out, bringing back the wonderful detective himself.

The narrative throws us into a time when Fandorin is still a long way from death, but in Russia he’s already persona non grata, so he makes his living investigating cases in Europe. For example, together with Sherlock Holmes he fights Arsène Lupin. Yes, that story appeared earlier in the collection Jade Rosary Beads, and now the author takes us back to the very end of that investigation to tell us what happened next to our heroes.

Read more

Book: Allison Schrager “An Economist Walks Into A Brothel”

No comments

Tell me—how can you possibly pass up a book with the title An Economist Walks Into A Brothel? And on top of that, it promised to talk about risk management. So I couldn’t resist. True, from the title you expect to learn about risks of a very different kind, but still…

In reality, the book is meant to explain the risks in our lives through examples of how people in completely different professions deal with them. And yes, the book starts with a description of how one of the largest brothels in Nevada operates: what risks sex workers face, and how a legal brothel helps address them compared to freelance sex workers.

I have to admit, it’s a genuinely unconventional approach, and Allison Schrager—who specializes in working with risk—managed to attract a lot of readers that way.

And besides sex workers, her examples include paparazzi, a professional poker player, surfers, horse breeders, and even the military. Using those examples, Allison tries to show both what risk is in itself and different sides of dealing with it, including insurance and hedging.

Read more

Book: Olga Gromyko “Cyber Vacation”

No comments

So the As*trobiologists series has hit a kind of anniversary, because Cyber Vacation is already the tenth (!!!) book in the series. And the further it goes, the more Olga Gromyko focuses on characters who, in the earlier books, only flickered in the background. Though you can’t really call Roger Sakai—now a police officer, formerly a buccaneer of the space seas—a truly second-rate character.

No, Roger was practically the main antagonist at the very beginning of the whole story. And after becoming a cop (well, who can catch pirates better than an ex-pirate?), he also popped up in the adventures that followed.

The new book is, on the one hand, a collection of novellas, each with its own small story—and on the other hand, one investigation that our dashing Roger has to carry out.

In fact, he came to the planet Cassandra—populated mostly by sentient cyborgs—not for work at all. He was planning to spend a pre-wedding vacation here, but at the last moment his fiancée couldn’t make it. So Roger goes looking for something to do, so he doesn’t just sit around twiddling his thumbs out of boredom.

Read more