Month: April 2021

Book: Robert E. Howard “The Savage Tales of Solomon Kane”

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Today, there are probably few people who are unfamiliar with the character of Conan the Barbarian. Even if they haven’t read a single book about him, they are likely to remember the iconic image of a young Arnold Schwarzenegger portraying the character. However, in the Soviet Union, the author of the Conan series (and many other works), Robert E. Howard, was virtually unknown until 1989. Although Howard himself didn’t write a large number of works, several of his characters became cult figures, Conan being the foremost among them. The series about this hero, which many other authors have continued, now includes not just dozens but hundreds of stories.

Personally, I first encountered Robert E. Howard’s work back in the distant year of 1990, when the Minsk publishing house Eridan released a collection of the author’s works titled The Hour of the Dragon.

A year earlier, in Krasnoyarsk, a thin booklet of just 52 pages had been published, containing two of Howard’s short stories translated by Alexander Bushkov under one cover. Eridan, in its full-length book, used both of these stories in the same translation. The Eridan collection included works about various characters, including the titular novel about Conan the Barbarian. However, one of the stories translated by Bushkov was Wings in the Night, featuring a protagonist named Solomon Kane. At the time, this character didn’t leave much of an impression on me. The story was the only one about him in the collection, and for a 13-year-old, his image clearly paled in comparison to the ruthless, muscular barbarian Conan. It was read and forgotten, in short. Two years later, the same Eridan began publishing a four-volume collection of Robert E. Howard’s works, but even in this, Solomon Kane appeared in only two stories—Wings in the Night and Red Shadows. You’ll agree, that’s hardly enough to develop any strong feelings for the character.

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Song: Till Lindemann “Lubimiy Gorod”

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And here’s Till Lindemann (the lead singer of Rammstein) with a wonderful rendition of the song “Lubimiy Gorod” (“My Beloved Town”). I think even Mark Bernes wouldn’t have been ashamed to hear such a performance. As someone in the “Longplay” group comments noted, “The collab with Loboda turned out great.” 😉

Personally, I really liked his version—it turned out heartfelt.

Book: Olga Gromyko “Year of the Rat”

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Although I became acquainted with Olga Gromyko’s work even before her very first book was published and have since followed her writing closely, it so happened that one particular series slipped past me. As I kept reading Olga’s new works, I never found the time to go back to the Year of the Rat duology. This was partly due to several opinions I came across that were rather critical of the series compared to her other works.

However, the time finally came to fill this gap and form my own opinion by reading both parts consecutively. First of all, I must say that this series is best read as a single piece—both volumes together. It’s essentially one story split into two parts, with the second book (Wanderer) released about a year after the first (Seer). The first book ends quite abruptly, right in the middle of the story. Secondly, I must admit that my opinion of the series was mixed, both during and after reading it. I can understand some of the critics, but let’s try to delve deeper into the details.

Year of the Rat was published in 2009 and 2010, and it can, in a way, be considered a transitional work between the Belorian series (which made Olga Gromyko a well-known writer) and the subsequent space epic As*troheads. Yes, there was also the novel A Plus for a Minus, co-written with Andrey Ulanov, which explored an almost contemporary world. But stylistically, Year of the Rat is closer to the Belorian series. The action takes place in a pseudo-medieval setting where magic exists and is generally acknowledged by the populace. The protagonist is, once again, a young woman, although she is now accompanied by two companions. In the next series, Olga would depart from this approach, but here it seems she was still experimenting with new creative directions. Of course, this is just my speculation.

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Song: Zdob și Zdub “Sanziene” / “On Ivan Kupala Night”

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I realized I’ve never mentioned one of my favorite bands, Zdob și Zdub, in my blog. By the way, when I watched Alexander Tobolsky’s show Longplay on bands that started out in a completely different style than the one they’re known for now, Zdob și Zdub immediately came to mind. Their first album and what they’ve become since are worlds apart (though you can see hints of their current style even in the first album).

But let’s get back to the band. In practically every one of their albums, there’s at least one song that I end up playing on repeat dozens of times. In their latest album, that song for me is Sanziene. I honestly don’t care what the original lyrics mean in Moldovan; I always listen to songs as a whole, where the vocals are just another instrument. And here, the energy and the voices completely blow my mind. Zdob și Zdub often collaborates with other artists, and this song is performed together with another Moldovan singer, Irina Rimes. Highly, highly recommended:

As is often the case with Zdob și Zdub, this song also has an official Russian-language version titled Na Ivana Kupalu (On Ivan Kupala Night). In this version, they perform as a “duet” again, but this time with a different singer—Masha Makarova, who many might recognize as the lead vocalist of the band Masha i Medvedi. The change in singer gives the song a slightly different feel; it sounds distinct (and it’s not just about the language). I personally prefer the Moldovan version a little more, but the Russian one is great as well:

Book: Vasiliy Sabirov “The Numbers Game”

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A few weeks ago, I wrote about Alexey Savchenko’s book Game as Business, which provides an excellent description of the gaming industry from the perspective of production and working with publishers. However, it says almost nothing about what comes next. Especially if your game is designed to last for years: how to work with users, how to study their behavior, and, ultimately, how to make millions.

That’s why Vasiliy Sabirov’s book Game by Numbers, which was also published last year, serves as a perfect complement. Its subtitle, How Analytics Helps Video Games Thrive, speaks volumes.

But first, a bit about the author. Vasiliy Sabirov is an analyst with extensive experience. Over the course of his career, he worked as an analyst and head of the payment solutions department at Xsolla (one of the largest players in the gaming payment market), as a lead analyst at the gaming company Alternativa Games, and then moved on to the emerging devtodev (now the largest gaming analytics service in the Russian-speaking game development sector). At devtodev, he worked as head of the analytics department and also served as an evangelist for both the service itself and its educational platform, where he released a course, including one on gaming analytics. In 2020, he made a major life change, transitioning (and relocating) to work as a lead analyst at the gaming company Easybrain (also one of the major players in the mobile gaming market). In other words, Vasiliy knows what analytics is and how it works. I would even say that if you’re talking about game analytics in Russian-speaking companies, Vasiliy Sabirov is the first name that comes to mind.

Now about the book and game analytics. If people around you are throwing around strange terms like MAU, LTV, ARPPU, and others, and you find yourself staring blankly, it’s time to read this book. Because behind these intimidating acronyms lie concepts that aren’t all that complicated. Learning how to work with this data properly, however, is the next step. But let’s take it one step at a time.

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Book: Esther Derby, Diana Larsen “Agile Retrospectives: Making Good Teams Great”

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When I wrote about Alexey Krivitsky’s book Agile Retrospective Kickstarter a month ago, I mentioned that much of his work is based on the work of Esther Derby and Diana Larsen (as he openly acknowledges in his book). At that time, I also promised to write separately about the book by these women facilitators. So here I am, fulfilling that promise.

I read the book in English, although in 2017, it was also published in Russian by Dmitry Lazarev Publishing under the title “Agile Retrospectives: Turning Good Teams into Great Teams.”

Why do teams need retrospectives? I’ve already written about this in detail elsewhere, but here’s a brief reminder: retrospectives help teams learn from their mistakes and grow. Without them, no Agile methodology can operate at full capacity.

Esther and Diana explain how to make such meetings as productive as possible, drawing from their many years of experience and unique insights. It is in this book that they propose the five-stage format for retrospective meetings, which Alexey Krivitsky actively adopts and promotes in his own book.

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Book: Debbie Tung “Book Love”

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The very existence of my book blog makes it clear that I read a lot and love books. But what few people know is that this love isn’t just a casual hobby; it’s a deep passion for collecting and cataloging that started in my childhood. Once I could afford to buy books with my own money, I would purchase far more than I could actually read. It brought me immense joy to lay out my collection, admire the covers, and revel in my growing library… “My precious!”

For a long time, I resisted transitioning to digital formats, but circumstances eventually forced me to. I simply had no more space for physical books, and it was far easier to bring an e-reader on business trips than to lug around several books (though I still remember carrying a 950-page tome with me everywhere and reading it at every opportunity).

Why am I telling you all this? Debbie Tung’s book Book Love immediately won me over the moment I read the synopsis: “If you love the rustle of book pages, the smell of fresh ink, find bliss in bookstores, and devote all your free time to reading or searching for new books, then this comic is about you and for you!” I thought to myself, this is exactly about me! Plus, the book was described as “a sharp, subtle, and humorous take on people who are deeply in love with books.”

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